The artisans’ works include making clay-pots Essay

From the very beginning of our Banglee culture, derrieretery has represented our identity and biographystyle. The finesseisans kit and boodle include making clay-pots, earthen w be, toys of clay and different idols of gods and goddesses deliver been the customs of our culture. But it is straightaway regrettable that in recent times, especially in the last decade potters arouse been in distress. Because of these unavoidable factors like clay, escape of capital, unsatisfactory selling of clay pots, lack of fuel wood for fire raw pots, their plight is in peril. Earthenw be and fashionable things of clay be creation rapidly supplanted by aluminum, plastic, steel and early(a)(a) alternative materials. Even toys for children are being made with wood and cloth. Besides, so cold prestigious wad never tend to buy earthenware hark backing their image and status. But it is admitted all over that cooking pot of clay is more conducive to health than pot of silver or other mater ials.Cooking rice of clay-pots help to retrieve gastric problem. And pitchers keep water cool in hot sidereal days. a nonher(prenominal) cause for non selling clayware is its brittleness. Inspite of being more cheaper than other aluminum or plastic made pots, clay-pots are not being sold available. Thus potters bugger off to survive with a negligible earning. 3. honk and Patua important audio-visual mediums in educating the masses since immortal. There is a very thickheaded ethnic involvement the Indo-Gangetic civilisation, such as that of terra-cotta, cloth and natural roughage like jute, shola and beetle nut bark fibre, which are on the doorway of experimental extinction.These items go natural covering to as much as 12 centuries. The Moenjodaro link which is visible in our terracotta dolls and toys go back to 3,000 years. Not only has that storey been forgotten but the realisation that they are diminishing is that within both(prenominal) decades theyll be there no m ore. One craft in cross which has suffered as recently as in 15 years is the causa of painted scroll called Ghazir pott. Ghazi is a pir recognised both by the Hindus and Muslims, by the woodcutters, h iodiny gatherers, fishermen and boatmen in the Sundarbans. They invoke the Ghazi pir, the tiger personality who protects the people who come in the jungle. The Ghazir pott is a series of folk stories told by the village men of the heroism of this man who protected them from tigers. Ghazi, she said, is sacred to the Hindus too as they have a similar personality whom they called Shatta pir but he rides a leopard while Ghazi rides a tiger and both carry symbols in their hands.One important cogitate for the diminishing of crafts is that the metropolis dwellers are not redressing according to the lead of the producers. When the villagers are putting the products into the market the price is cut to half and dicker goes on. The elite are least bothered while the middle var. like the i tems and wish to use them at home but unless one is a connoisseur of art the people of the upper echelons of society have forgotten village crafts altogether People are ready to pay a high price for word-painting but they are not ready to pay for a craft that has beatn six months whereas the painting may have been done in three days. When a fair sex has worked on her handicraft on an authentic design for half a year she has the right to ask for more.Karika products are art crafts and not just handicrafts, she stressed. For this reason the theme of the exhibit had been Know Bengali cultural roots. Kumar or potter family are found all over Bangladesh. The rarify terra cotta tile works display enormous sweep and dedicated Kumars. In some communities of kumars make clay pots, vessel for cooking, storing water etcetera otherwise sub-castes fashion figures in the shape of animals, birds, humans and children toys. The Sakher Hari, an earthen pot, painted with images of fish, combs, b irds and floral creepers to denote fertility is used to carry sweets for a marriage ceremony. 10.The disordered imposture of Metal CastingThe lost-wax technique is an ancient art that dates back over 2,000 years or older in India, China, and Egypt. In the fifteenth century it was used by the likes of Donatello for the making large-scale bronze nudes. bowls and plates made with intricate etchings are made using other methods. temporalMost of the figures are made from bronze (a copper and tin alloy) or ecesis (a copper and zinc alloy). Hindu figures are made expose of eight metals believed to have an auspicious connection to the planets. The eight metals are copper, zinc, tin, iron, lead, mercury, prosperous and silver. Once a dying art, metal-casting is being revived by Sukanta Banik, whose disdain in Dhamrai has been in the family for five generations. Until recently, Baniks forefathers had been making household items with brass and bronze kasha and pittal. But in 1971, Suk antas uncle Shakhi Gopal Banik and his partner, Mosharraf Hossein, changed direction and started producing works of art figures from Hindu mythology and folk art as well as Buddhist and Jain sculptures. Designs of the gods and goddessesDesigns of the gods and goddesses are based on the art of the Pala dynasty. They tend to be very intricate, and stand distinguished from statues made elsewhere, The lost-wax technique allows helps Baniks artisans pretend more pronounced detailing. In contrast to most Indian statues, whose expatiate are etched onto the solid metal form, the details of one of Baniks statues are made on the soft wax at the initial stages of the sculpting, using soft wax thread, which is then carved into with a bamboo stick. Thus, the embellishments take on a three-dimensional quality.Murtis from India also differ in that they are usually made from a Master mold. We must attempt to touch this age-old tradition, not just in Dhamrai, but in other centers like Jamalpur, I slampur, Tangail, Kushtia, and Dhaka. In the words of friend and supporter, Matt Friedman, If the metal casting condescension is someday lost, an important part of Bangladeshs artistic tradition leave alone vanish forever. Hats off to Mr. Banik for bringing this decidedly Bangalee tradition back to life (Manisha Gangopadhyay, November 8, 2004). 11. Satranji Weaving for a cause -Rugs steeped in history Even if its not Aladdins magic carpet, the lure of the 1,000 year old handed-down jute rug Satranji continues to have buyers in its thrall. The elegance and splendour of the rug is believed to have captivated even the great Mughal Emperor Akbar.The charm of Satranji was evident both in palaces and huts. Recently, the lyrical beauty of the Satranji was on display at the lounge intimately of the locomote Pacific Sonargaon Hotel. Hanging on walls, placed on a traditional Palanko( the highly decorative antique bed of kings, nawabs and zamindars), the soft luminosity created a dream y atmosphere with splashes of bright colours at the arrangement premises. With the title Colour Your Home with Village Art, a three-day sight started on October 3, 2004.The organiser was famous designer Bibi Russell in collaboration with Pan Pacific Sonargaon Hotel. The exhibition is a fund raiser. Twenty percent of the result will be donated to Lifebuoy Friendship Hospital. The rest of the funds will go to the North Bengal weaver community who made these magnificent rugs, said Bibi. We are focusing on the women weavers of Rangpur. They have suffered a series of natural adversities- the pernicious flood, devastating rains and drought. Consequently, these people are uncertain about how to celebrate Eid.In the exhibition, around 80 Satranjis made of 100 percent jute, are on display with various colours and designs in folk tradition. From Pilpa, which was known as Hatipaya to Jafri, Itkhati, Latai the traditional mingled with modern designs depicting the motifs of elephant footprint s, motifs from Jamdani and the intrinsic geometrical patterns. About the designs Bibi says, The traditional motifs are absolutely superb (Afsar Ahmed, Daily Star, November 5, 2004). 12.Bamboo-based cottage industry faces extinctionBamboo-based cottage industry in Shariatpur, Madaripur, Gopalganj, Rajbari and Faridpur is on the verge of extinction collectible to lack of raw materials and shrinking of market for the products. Market sources said the piddling fall in raw materials is triggered by indiscriminate extraction of bamboo trees for create houses and various goods, uprooting the bamboo for setting up settlements and lack of any initiatives to preserve or grow bamboo clusters. Besides, the local markets are being flooded with metal or plastic goods leaving no rooms for the bamboo made ones. Consumers are more and more buying metal or plastic goods instead of bamboo-made products because of their cost forcefulness and durability. As a result, thousands of bamboo craftsmen have already left their inherited barter in search of alternative jobs. A large number of them have become jobless finding no other alternatives, the sources said. The Dying Art Of Clinical MedicineAllopathic Medicine is an art and science. It is unique isnt it? How it is an art? Because when a affected role and doctor interact there is a (Hi) story of the patients symptoms, feelings. A patient hearing on the part of the doctor. By the history (Symptoms) the doctor assumes or infers the possibilities of the diagnosis. Then he examines the patient which include pulse and Blood pressure recording, Heart and lung reverse with his stethoscope and then the physical examination of the patient. Then he comes to a affirmable diagnosis eg A simple cold, a bacterial infection, An appendicitis, meningitis, diarrhea etc, etc.This is called clinical diagnosis. This above part is the art of practice of medicine. The scientific part is society some tests like blood tests, X-ray, (ultra sonogr am, MRI in modern times)etc to avow the clinical diagnosis. This type of Clinical (Art) & scientific diagnosis was prevalent about 25-30 years before. Now a days it has become 1.(Doctors) protective medicine because for any untoward reaction like allergy to a do drugs or a coincidental occurrence like say the patient is already dying and the doctor is forced to save him by gazump or crook by the relatives,( specially in Tamilnadu people think a good practice is giving..1.an injection,2. Few costly tablets and a 3.syrup called as tonic.. Even a cough syrup is considered a tonic etc and now a days a drip is a must.Such doctors(quacks) mint silver due to the gullibility of the public.But the genuine and sincere doctor doctor is assailable (if any untoward like a natural death happens) to face pack attack and abuse, law suits and brandishing as bad doctor. So present day medical practice is protective. Thus the art of medicine is dying and the clinicians are becoming stooges of lab tests, Scans, pharmaceuticals and Insurance /business motivators and last but not the least. .the patients and their relatives.